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About Edward

Edward studied Engineering Science at Oxford University, Lincoln College, where he studied a wide range of topics such as solid mechanics, thermodynamics, and materials and structures. His research explored the design of novel miniature tension-torsion experimental stages for in-situ micromechanical testing, demonstrating that stages on this scale are not only possible but feasible and applicable in several different sectors within the realm of material testing. The theory was awarded the University's Gibbs Prize in Engineering Science and the practicality was explored in his dissertation, which was awarded a first class grade.

Edward joined Keltie in 2023 following over three years training at another patent law firm. He has experience working with a wide range of clients, from large industrial production companies to boutique university spin-outs. He is part-qualified and is working towards European and UK qualification. 

 

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What is a work of artistic craftsmanship in UK copyright Law? Insights from WaterRower v Liking

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This much-awaited Decision sees the UK's approach to copyright for 3-dimensional works diverge from that of the EU. It also provides some guidance on the criteria for a ‘work of artistic craftsmanship’ under UK copyright law, with relevance to the field of applied arts, and especially to vintage design. Keltie attorney Emily Weal explains why this decision matters, and what it means.

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UK Corporation tax U-turn increases the allure of Patent Box scheme

20.10.2022

UK Corporation tax U-turn increases the allure of Patent Box scheme

The imminent rise in UK corporation tax makes the financial benefits of the Patent Box scheme look even more attractive, and there may now be additional incentive for many innovative and IP-focused companies to give Patent Box greater attention.

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